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You don't need 10 different plug-ins when you can do it all with one. The hundreds of filters and presets are stackable, allowing for endless creativity. At the heart lies Develop and Effects which include everything you could possibly need for creating any look you want. Photo RAW is a must have plug-in for Lightroom and Photoshop. Combined with our current set of tools, the next generation of ON1 Photo 10, will continue to work where you want, as a standalone app, a plug-in for Adobe Photoshop and Lightroom, or a host app for other editing apps.

Unlike the current class of raw-based photo editors requiring catalogs, bouncing between apps for editing, and a subscription ecosystem, ON1 Photo RAW features a new, modern raw processing engine, tuned for today's sensors and graphics chips. Lens distortion is where the lens makes straight lines look bowed perspective distortion is where you’ve angled the camera sharply in a way that makes straight lines appear to converge.ON1 Photo RAW (was ON1 Photo) is the lightning fast raw processor, photo editor, and plug-in collection all in one app photographers have been asking for. In the same way that perspective correction and lens corrections are not the same, lens distortion is not the same as perspective distortion. They simply make sure that lenses render straight lines as straight, and have nothing to do with perspective.īut it is important to apply lens corrections, where available, before you apply any perspective corrections, because you need properly straight lines in your photo to judge perspective corrections properly. Lens corrections fix lens distortion (bowed edges), vignetting (corner shading) and chromatic aberration (color fringing). Perspective correction and lens corrections are not the same thing. Perspective correction vs lens corrections If you’re taking a picture with the aim of correcting the perspective later, make sure you stand far enough back, or use a wide enough lens, to capture plenty of space around your subject.

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There is no way around this, and it does mean that these digital corrections work best when there is some free space around your main subject. This means that perspective corrections do inevitably mean sacrificing some parts of the picture area at the edges the stronger the correction, the more you lose.

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These corrections do leave triangular wedges at the sides or at the top or bottom of the picture that do need to be cropped off – though the software may offer to do this automatically. Perspective correction tools work in a pretty simple way – by ‘stretching’ the top (or bottom) of the picture to make it wider, or by doing the same with the left or right sides. They may offer Vertical and Horizontal correction sliders or on-screen gadgets or lines that you position over walls or other straight lines in the scene that need to be perfectly horizontal or vertical. These tools can be used to correct converging verticals, horizontal convergence or both.

Lightroom, Capture One, Exposure X and ON1 Photo RAW all have them built in, while DxO PhotoLab has a companion program called DxO ViewPoint. Many photo editing applications have perspective correction tools. For most of us, it’s easier to use software perspective corrections. You can still get perspective control lenses to fit many digital camera systems, but these lenses are expensive and quite slow to use. Large format field cameras and technical cameras have movable lens plates on the front which achieve the same thing but with a greater range of movement. These lenses have a ‘shift’ mechanism that lets you keep the camera level but shift the lens upwards to get the top of your subject in the frame without tilting. This is the old school approach to correcting perspective. Otherwise, a small degree of convergence can just look like sloppy technique. Sometimes strong converging lines can be a deliberate part of the composition, but it has to look deliberate. Wideangle lenses also exaggerate the size of objects in the foreground (the base of a building) relative to those further away (the top). It’s worse with wideangle lenses because you’re generally closer to your subject and have to tilt the camera more. This happens when you have to tilt the camera upwards to get the whole of your subject in the frame. Perspective correction is most often used for images with ‘converging verticals’.

For that reason, it’s one of a handful of basic and necessary adjustments you might need to consider.

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Perspective correction is not necessary for most photos, but there are times when it will make the difference between an image that looks professional and one that just looks amateurish.

Perspective correction is used to correct converging verticals in pictures of buildings, and sometimes to fix horizontal convergence too, though that’s generally less important.